Aesthetic experiences and classical antiquity :Physical details: pages cm ISBN:9781107192652 (hardback).
|Item type||Current library||Call number||Status||Date due||Barcode|
|Circulating||Philip Becker Goetz Library||BH108 .G74 2017 (Browse shelf(Opens below))||Available|
Browsing Philip Becker Goetz Library shelves Close shelf browser (Hides shelf browser)
|BF1080 .A59 The interpretation of dreams =||BH301.L3 S64 2010 Roman landscape :||BH90 .C66 2015 A companion to ancient aesthetics /||BH108 .G74 2017 Aesthetic experiences and classical antiquity :||BH108 .M37 2016 Ancient aesthetics /||BH 109 .G87 2016 Dissonance :||BH 109 .G87 2016 Dissonance :|
Includes bibliographical references and index.
Machine generated contents note: Prologue: the Sirens' song; 1. Introduction: the 'as-if' of aesthetic experience. Part I. Narratives: 2. Narratives: experiencing time; 3. The reconfiguration of time in Heliodorus' Ethiopica; 4. Beyond Heliodorus: Francois Ozon, Dans la maison; Part II. Pictures: 5. Pictures: the detached gaze; 6. Seeing (in) ancient vases; 7. Beyond ancient vase-painting: Rabih Mroue, The Fall of a Hair; Epilogue: the Sirens in Los Angeles.
"In this bold book, Jonas Grethlein proposes a new dialogue between the fields of Classics and aesthetics. Ancient material, he argues, has the capacity to challenge and re-orientate current debates. Comparisons with modern art and literature help to balance the historicism of classical scholarship with transcultural theoretical critique. Grethlein discusses ancient narratives and pictures in order to explore the nature of aesthetic experience. While our responses to both narratives and pictures are vicarious, the 'as-if' on which they are premised is specifically shaped by the form of the representation. Form emerges as a key to how narratives and pictures constitute an important means of engaging with experience. Combining theoretical reflections with close readings, this book will appeal to textual scholars as well as to art historians"--